DEPARTMENT OF ART STUDIES
College of Arts and Letters
University of the Philippines
INSTITUTION OF A G.E. COURSE IN ART STUDIES
I. Course Number, Title, Description
Course Number: Art Studies 2
Course Title: Art Around Us: Exploring Everyday Life
Prerequisites: None
Course Credit: 3 u.
Domain: Arts and Humanities
Justification:
The course revitalizes the notion of art as an integral and dynamic part of lived
experiences as distinguished from art as high culture.
II. G.E. Objectives Met by the Proposed Course
The course aims to expand the discussion of artistic production and reception in various
economic, social, political, and cultural settings.
Philippine artistic practices and productions, as well as foreign examples, will be used, bearing in mind their contexts.
C. Awareness of Various Disciplines
The course uses a multidisciplinary approach involving such disciplines as the social sciences, architecture, urban planning, and media studies.
D. Integration of Knowledge and Skills
The course encourages students to discern how their lives are affected by artistic practices and
productions around them.
III. G.E. Modes of Inquiry
The evaluation and comprehension of art in everyday life necessitate the use of interpretive and aesthetic modes of inquiry.
IV. G.E. Competencies
The course demands from the students a keen sense of awareness of their milieu in order to confront or challenge issues pertaining to artistic processes.
The course expects students to express their aesthetic and analytical views through oral and written forms of communication.
The course encourages students to be creative in their perception, analysis, and evaluation of various aspects of the artistic process.
V. Number of Sections to be Offered for the Proposed G.E. Course
Initially, ten sections (five in Filipino and five in English) of 25 students each will be offered per
semester.
VI. Availability of Resources to Offer the Proposed G.E. Course
There are 22 faculty (eight of them with PhD) who can readily teach the course. The Department has
the laboratory, consisting of audio-visual and library resources, needed to offer the course.
VII. Proposed Course Syllabus
2. to study art in an everyday setting in various contexts; and
I. Art in Everyday Life (2 weeks)
II. Contexts of Production (3 weeks)
A. Who makes the art?
B. Who receives the art?
C. What forces sustain and weaken the art?
III. Exploring Art in Various Places (6 weeks)
IV. Valuing the Presence of Art: Issues (5 weeks)
VIII. Course requirements
Course requirements will include:
1) two long examinations;
2) group projects or reports; and
3) class recitation (participation in group discussions)
4) reaction papers, quizzes, attendance
IX. Reading List
(Faculty may draw their reading requirements from this list or may add their own.)
Berger, John. Ways of Seeing. London: BBC, 1972.
Datuin, Flaudette May, and others. Art and Society. Quezon City: U of the Phils Pr, 1999.
Dela Paz, Cecilia Sta. Maria and Patrick D. Flores. Sining at Lipunan. Quezon City: Sentro ng Wikang
Pilipino, 2000.
De Leon, Felipe Jr, ed. On Art, Man and Nature: Readings in the Humanities. [Manila]: G. Miranda,
[n.d.].
Dewey, John. Art as Experience. New York: Capricorn Bks, 1958.
Dudley, Louis and Austin Faricy. The Humanities. New York: McGraw-Hill, 1973.
Eco, Umberto. Travels in Hyperreality: Essays. San Diego; New York; London: Harcourt Brace, 1983.
Karp, Ivan and Steven Lavine, eds. Exhibiting Cultures. Smithsonian Institutions, 1991.
Layton, Robert. The Anthropology of Art. 2d ed. Cambridge: Cambridge U Pr, 1991.
Mulder, Niels. Inside Philippine Society: Interpretations of Everyday Life. Quezon City: New Day, 1998.
Newman, Thelma R. Contemporary Southeast Asian Arts and Crafts. New York: Crown Pub, 1997.
Torres, Emmanuel. Jeepney. Quezon City: GCF Bks, 1979.
X. Activities
The course will involve the following activities: slide viewing, listening to music, watching films or
videos, visits to galleries and museums, experiencing actual artistic structures and works in "everyday"
contexts (eg, one’s own home, sculptures in parks and plazas, billboards, others). A whole-day field trip
to artistic sites is recommended.