DEPARTMENT OF SPEECH COMMUNICATION
AND THEATRE ARTS
College of Arts and Letters
Course Title: Acting Workshop
Course Description: An introduction to the art and skill of
acting for the theatre.
Prerequisite: None
Course Credit: 3 units
Domain: Arts and Humanities
A. Samples of Acting Traditions in the World
1. Western Traditions
a. Shakespeare
b. Broadway & Off-Broadway
c. West End (London)
d. Cycle Plays (Oberammergau)
2. Eastern Traditions
a. Japanese Theatre
b. Chinese Theatre
c. Indian/Hindu Theatre
d. Philippines Theatre
B. The Tools of Acting Week 2
1. The Body
a. Warm-ups
b. Isolations
c. Centering/Body Axis
2. The Voice Week 3
a. Warm-ups
b. Breathing
c. Projection
d. Voice for Characterization
A. Reading the Script
B. Analyzing a Monologue Week 5
C. Dividing the Scene into Beats and Units
D. The Stanislavsky Techniques
E. The Method Week 6
F. Building a Character
A. Analyzing a Monologue
A. The Generic Script
B. Script Analysis
C. Working out a Scene for Two Week 9
A. Group Exercises Week 10
B. Script Analysis
C. Working in a Group Week 11-12
READING LIST:
Barker, Clive. Theatre Games.New York: Drama Book Specialists. 1977
Benedetti, Robert. The Actor at Work. Englewood Cliffs, N. J.: Prentice
Hall. 1976.
Chekov, Michael. To The Actor. N.Y.: Harper & Row. 1953.
Hagen, Uta. Respect for Acting. New York: Macmillan. 1973
Lim, Ana Valdes-, Workshop: A Manual on Acting. Manila:Anvil
Spolin, Viola. Improvisation for the Theatre. Evanston, Illinois:
Northwestern University Press. 1963.
PLAYS:
Selected Scenes from Original Filipino Plays (Palanca, Cultural Center of
the Philippines, etc…)
Meckler, Eva and Schulman, Michael. Contemporary Scenes for Student
Actors. New York, New York: Penguin Books Inc. 1980
REQUIREMENTS:
Attendance
Scene Studies, Monologues, Group Scenes
Quizzes
Reports – Individual and Group